Please use this identifier to cite or link to this item: https://scholarhub.balamand.edu.lb/handle/uob/4638
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dc.contributor.advisorWilliams, Peter Andrew Phillipen_US
dc.contributor.authorCharif, Amani Elen_US
dc.date.accessioned2020-12-23T14:43:33Z-
dc.date.available2020-12-23T14:43:33Z-
dc.date.issued2020-
dc.identifier.urihttps://scholarhub.balamand.edu.lb/handle/uob/4638-
dc.descriptionIncludes bibliographical references (p. 89-92).en_US
dc.descriptionSupervised by Dr. Peter Williams.en_US
dc.description.abstractThe thesis explores the misplacement of Samuel Beckett and Francis Bacon within the historical stream of their time. This is shown through the manifestation of Deleuzes concept of repetition and difference in the works of Samuel Beckett and Francis Bacon. Specifically, the study centers on Play, Not I, Ghost Trio and Bacons triptychs. The first chapter studies the occurrence of repetition in several of the artists work, mainly contributing to the formulation of a language of exhaustion and blurring the lines between artistic mediums of expression. In the second chapter, painting and language are cast out onto the phenomenal field in which repeated moments are differentiated and actualized into space. Both artists tap into an unconscious reservoir of repetitive archetypal patterns from which their figures are constructed. The placement of difference as an essential element in the process reveals a tendency of both artists towards the Deleuzean mission of normalizing difference. The aim behind the normalization of difference is exemplified by and revealed through Paul Virilios views on the use of technology to manipulate the image which is a preoccupation of both artists. Their engagement, at their time, with technology and its relationship to perception confirms their proper placement in, what Virilio terms, Hypermodernism.en_US
dc.description.statementofresponsibilityby Amani El Charifen_US
dc.format.extent1 online resource (vi, 92 pages) :ill.en_US
dc.language.isoengen_US
dc.rightsThis object is protected by copyright, and is made available here for research and educational purposes. Permission to reuse, publish, or reproduce the object beyond the personal and educational use exceptions must be obtained from the copyright holderen_US
dc.subject.lcshBeckett, Samuel, 1906-1989--Criticism and interpretationen_US
dc.subject.lcshBacon, Francis, 1561-1626--Criticism and interpretationen_US
dc.titleBacon and Beckett : the phenomenology of the picnolepticen_US
dc.typeThesisen_US
dc.contributor.departmentDepartment of English Language and Literatureen_US
dc.contributor.facultyFaculty of Arts and Sciencesen_US
dc.contributor.institutionUniversity of Balamanden_US
dc.date.catalogued2020-06-16-
dc.description.degreeMA in English Language and Literatureen_US
dc.description.statusPublisheden_US
dc.identifier.ezproxyURLhttp://ezsecureaccess.balamand.edu.lb/login?url=http://olib.balamand.edu.lb/projects_and_theses/253334.pdfen_US
dc.identifier.OlibID253334-
dc.provenance.recordsourceOliben_US
Appears in Collections:UOB Theses and Projects
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